Barry Lyndon (1975, Stanley Kubrick) / Cinematography by John Alcott Lyndon, 18th century


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BBC Arts Home BBC Introducing Arts Books Slow burn: Why the languid Barry Lyndon is Kubrick's masterpiece 25 April 2019 Even by the standards of a director famed for dividing opinion, Stanley.


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In a conversation with American Cinematographer Magazine, D.P. John Alcott reveals even more about the precise way he lit candlelight scenes while filming "Barry Lyndon" with this newfound lens:


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A masterpiece in cinematography and aesthetics, natural light is yet to be as integral in a piece of cinema as it was in Barry Lyndon. A masterpiece in every sense of the word, its beauty is exquisite and something everyone should experience.


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Cinematography / Best shots of Barry Lyndon (1975)Directed by Stanley KubrickCinematography John AlcottSong Barry Lyndon - Sarabande Main Title#barrylyndon #.


Painting on film Stanley Kubrick’s Barry Lyndon ACMI Your museum of screen culture

How NASA Contributed to the Cinematography of 'Barry Lyndon' Warner Bros. By Brad Gullickson · Published on May 9th, 2019 Despite three Academy Award nominations for Best Director and a.


Barry Lyndon (1975) Directed by Stanley Kubrick, Cinematography by John Alcott Cinematography

Stanley Kubrick's Barry Lyndon is often lauded as one of the greatest achievements in the history of cinematography. And in a decade or even a year with some of the toughest competition you can think of, Barry Lyndon always seems to stick out just a little bit more. But what sets the cinematography of Barry Lyndon apart from other movies?


Barry Lyndon (1975, Stanley Kubrick) / Cinematography by John Alcott Kubrick, Film stills

Stanley Kubrick operating handheld camera on the set of 'Barry Lyndon', an army boxing match, where the ring is made of bodies. John Alcott described in an interview how the fickle Irish weather changed almost every day, sometimes moment to moment, with storms that sometimes lasted only a few minutes.


Photographing Stanley Kubrick’s Barry Lyndon The American Society of Cinematographers

MORE HERE: Lenses at the Kubrick Exhibit in San Francisco - http://bit.ly/2wt5wPXStanley Kubrick's Barry Lyndon is often lauded as one of the greatest achiev.


Barry Lyndon (1975, Stanley Kubrick) / Cinematography by John Alcott Lyndon, 18th century

Barry Lyndon: Directed by Stanley Kubrick. With Ryan O'Neal, Marisa Berenson, Patrick Magee, Hardy Krüger. An Irish rogue wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England.


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Stanley Kubrick's "Barry Lyndon," received indifferently in 1975, has grown in stature in the years since and is now widely regarded as one of the master's best. It is certainly in every frame a Kubrick film: technically awesome, emotionally distant, remorseless in its doubt of human goodness.


Barry Lyndon (1975) Turner Classic Movies

Barry Lyndon is Stanley Kubrick's 1975 magnum opus and is often heralded as a cinematic masterpiece. Its intricate blend of natural and artificial lighting techniques, coupled with painstaking attention to detail, brings the 18th-century world to life with a degree of authenticity seldom seen in period dramas.


How NASA Contributed to the Cinematography of ‘Barry Lyndon’

Considered one of the best Stanley Kubrick films ever, Barry Lyndon is also an inspiration for the cinematographers community across the globe. With unique way of lighting the characters and.


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New program about the film's groundbreaking visuals, featuring focus puller Douglas Milsome and gaffer Lou Bogue as well as excerpts from a 1980 interview wi.


REVISITING BARRY LYNDON (1975) Foote & Friends on Film

Barry Lyndon is the 18th century tale of a low-born Irishman who strives - through various misadventures, and ups and downs of fortune - to become a gentleman. The key visual influence of director Stanley Kubrick and DP John Alcott, BSC were the great painters of the story's era, such as Vermeer.


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John Alcott, the great cinematographer who worked with Stanley Kubrick for some time, speaks at length about Kubrick and his additional work on 2001: A Space Odyssey, for which he took over as lighting cameraman from Geoffrey Unsworth in mid-shoot, A Clockwork Orange, Barry Lyndon, the film for which he won his Oscar, andThe Shining.


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American Cinematographer A master filmmaker creates an epic of such spectacular visual beauty that one critic calls it: "The most ravishing set of images ever printed on a single strip of celluloid." This archival article originally appeared in AC March 1976. Some photos are additional or alternate.